Mar. 31st, 2008
Land on utilities - roll dice
Mar. 31st, 2008 03:28 pmTo balance out the electricity bill, which I recently calculated as being about £450 for the last 3 months, today I received our gas bill for the last four months... £2.01. I guess cooking pasta on the hob twice a week doesn't use much gas.
In other domestic news, a guy came to look at the rising damp this morning... he told me that my flat doesn't have rising damp. Anyone who has seen the water running off of the bottom of the walls at my place may find this hard to believe. Second opinion from a different company on Wednesday.
In other domestic news, a guy came to look at the rising damp this morning... he told me that my flat doesn't have rising damp. Anyone who has seen the water running off of the bottom of the walls at my place may find this hard to believe. Second opinion from a different company on Wednesday.
A feminist analysis of Firefly
Mar. 31st, 2008 05:32 pmReposting this link from a friends-only post elsewhere: I have to say that now that I have subjected myself to the horror that is Firefly, I really am beyond worried about how much men hate us, given that this was written by a man who calls himself a feminist.
Highlights:
* The first scene opens in a war with Mal and Zoe. Zoe runs around calling Mal ‘sir’ and taking orders off him. I roll my eyes. Not a good start.
* Zoe is not shown to have a personality of her own. (we interrupt your edited highlights for a hysterical giggling fit)
* Given the fact that women are largely absent from the action and the dialogue of the majority of scenes it is unsurprising that the action onscreen is highly homoerotic. [...] This intense homoeroticism is present from the outset as Mal asserts his rights as alpha male on the ship. [...] Violence is a part of the landscape throughout the whole series and Mal is often the instigator. He is constantly rubbing himself up against other men ...
* The women who ‘choose’ to be ‘Companions’ are shown as being intelligent, accomplished, educated, well-respected and presumably from good families. If a woman had all of these qualities and opportunities then why the fuck would she ‘choose’ to be a man’s fuck toy? Would being a fuck toy for hundreds of men give a woman like Inara personal fulfillment? Job satisfaction? A sense of purpose? Fulfill her dreams? Ambitions? Money doesn’t seem to be the motivation behind Inara’s ‘choice’ to be a ‘Companion’, presumably she just ‘enjoys’ swanning around in ridiculous outfits. And being used as a fuck toy by men is seemingly a small price to pay for the pleasure.
* Let me just say now that I have never personally known of a healthy relationship between a white man and a woman of colour. [...] So you will forgive me for believing that the character, Wash, is a rapist and an abuser, particularly considering that he treats Zoe like an object and possession.
And from the comments:
* I think you've missed a massive bit of misogynistic symbolism. The ship itself. The ship is characterised as female throughout the series [...] The name of the ship by itself "Serenity" suggests a demure, submissive role. But, more than that, they all live off her, they all live *in* her, symbolically raping her, while staying safe and cosy inside her womb.
* I cannot think of even 1 person I know in real life who would be happy to take on the job of "Companion". [...] The argument in "Firefly" is that she wants to share her love with everyone... this is a very MALE point of view of sexuality. Not female. Women are not like that.
Highlights:
* The first scene opens in a war with Mal and Zoe. Zoe runs around calling Mal ‘sir’ and taking orders off him. I roll my eyes. Not a good start.
* Zoe is not shown to have a personality of her own. (we interrupt your edited highlights for a hysterical giggling fit)
* Given the fact that women are largely absent from the action and the dialogue of the majority of scenes it is unsurprising that the action onscreen is highly homoerotic. [...] This intense homoeroticism is present from the outset as Mal asserts his rights as alpha male on the ship. [...] Violence is a part of the landscape throughout the whole series and Mal is often the instigator. He is constantly rubbing himself up against other men ...
* The women who ‘choose’ to be ‘Companions’ are shown as being intelligent, accomplished, educated, well-respected and presumably from good families. If a woman had all of these qualities and opportunities then why the fuck would she ‘choose’ to be a man’s fuck toy? Would being a fuck toy for hundreds of men give a woman like Inara personal fulfillment? Job satisfaction? A sense of purpose? Fulfill her dreams? Ambitions? Money doesn’t seem to be the motivation behind Inara’s ‘choice’ to be a ‘Companion’, presumably she just ‘enjoys’ swanning around in ridiculous outfits. And being used as a fuck toy by men is seemingly a small price to pay for the pleasure.
* Let me just say now that I have never personally known of a healthy relationship between a white man and a woman of colour. [...] So you will forgive me for believing that the character, Wash, is a rapist and an abuser, particularly considering that he treats Zoe like an object and possession.
And from the comments:
* I think you've missed a massive bit of misogynistic symbolism. The ship itself. The ship is characterised as female throughout the series [...] The name of the ship by itself "Serenity" suggests a demure, submissive role. But, more than that, they all live off her, they all live *in* her, symbolically raping her, while staying safe and cosy inside her womb.
* I cannot think of even 1 person I know in real life who would be happy to take on the job of "Companion". [...] The argument in "Firefly" is that she wants to share her love with everyone... this is a very MALE point of view of sexuality. Not female. Women are not like that.